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Navigating: Home » VST/AU/AAX Plugins » Vocal Processing/Effects » The 10 Best Free Vocal Effects VST Plugin 2020 The 10 Best Free Vocal Effects VST Plugin 2020 Posted on. Pascal Faruq Disclosure: When you buy through our links, we may get a commission at zero cost to you. The Auto-Tune Evo VST demo is available to all software users as a free download with potential restrictions compared with the full version. Can autotune be used live? Yes, with the progression of vocal technology, companies like TC Helicon, ART and Boss have developed several Live Autotune & Pitch Correction Vocal Processors that work.

1. Download free Pitch Shifter VST,VSTi,AU,RTAS music software plugins & Instruments. Graillon is a Live Vocal Changer that brings a world of possibilities right into.
2. IZotope Vocal Doubler is a free plug-in designed to enhance your vocal with a natural doubling effect, adding richness and depth. Our acclaimed doubling technology has been reimagined with a brand new interactive UI dedicated to helping you achieve a great double faster than ever.
3. Vocal Rider Vst Free Download Protech Supercharger 702 Manual Vocal Rider is the first of Waves pioneering new series of Mix tools. Simply put, Vocal Rider rides the levels of vocal tracks, automatically. Instead of manually riding the physical mixing console fader, or tediously drawing in each individual level change on a DAW track, Vocal.

Voice synthesis is in a way the ultimate challenge when it comes to fooling the human ear – we humans are very good at noticing when something in another person's voice is off, for example when they're not as honest or confident as they'd like us to think. This carries over to noticing anything wrong or unnatural in synthesized voices as well.

In the interest of full disclosure, I've been beta-testing the Alter/Ego vocal synthesizer before the release and I've also released some sample libraries for Plogue's Sforzando sampler.

Technology

Alter/Ego is based on Plogue's Chipspeech platform, which recreates early attempts at synthesizing voices using vintage hardware up to 1984. This is quite a different starting point than other voice synthesizers, such as Vocaloid or UTAU, or vocal sample libraries with wordbuilders like Realivox Blue or the Virharmonic choirs. There are more than two dozen controllable parameters controlling how the voice recordings are transformed into audio output, all linked to MIDI CC. Some are pretty obvious, like helium. Others, like fem factor, wave speed or impulses take some trial and error to get a feel for what they really do to the sound. Vibrato alone gets nine parameters. English and Japanese are the supported languages.

Daisy is based on recordings of the voice of one person (Crusher-P, who also produces music using various vocal sythesizers), but is capable of both female and male voices as well as polyphonic choirs, whispering and downright out-there weirdness. As a way of explaining how one voice can produce all those different sounds, Plogue have cleverly made her a time-traveling robot. More than a voice, Daisy is also a character – from what I see on her Twitter account she currently seems to be romantically involved with Dandy 704, the Chipspeech voice based on the technology IBM used to synthesize the song 'Daisy Bell' all the way back in 1961.

Sound

Daisy seems at her best with higher female vocals – she sounds most convincing and powerful there. Male vocals sound more synthetic and more subdued. Cartoonish voices with the helium turned up also sound good, in an obviously unnatural way.

Daisy is a robot but she can sound quite human, especially when singing longer syllables. It's quite an eerie feeling when after a few robotic words a longer note shows up, vibrato kicks in, and Daisy suddenly sounds very human for a second or two, before suddenly turning robotic again. More whispery sounds also sound more human. Automating the vibrato (or controlling it via mod wheel) and expression can sound quite expressive and emotional. Other parameters can also add emotion in more subtle ways, for example changing the impulse width to make the sound slightly less smooth and more gritty.

One sound I haven't been able to get is a very aggressive or dirty vocal – Daisy's always too clean and nice to ever sound much like Tom Waits or even Katy Perry. Extreme metal vocals are not really possible, either. Lower notes can sound a bit growly, though, so maybe distortion or other external effects can bring that out.

Mixing these vocals isn't very difficult – you can put the same effects you normally would put on a human voice, including harmonic exciters and sweeping resonant filters. Just skip noise reduction and pitch correction. When using multiple instances for backing vocals, though, they will need to be treated differently to help separate them, because they're all based on the same set of recordings so they'll be much more in sync with each other than multiple human vocalists ever would – though if you want you can have one polyphonic robot singer producing both male and female voices at the same time.

But you'd rather hear Daisy instead of just reading about how she sounds, right? So, here is a demo produced by PianoBench.

At this point nothing is known about future Alter/Ego voices, but Daisy has been described as a bridge between the vintage technology of Chipspeech and the future.

Workflow

Singing something is quite easy – simply load the plugin into your DAW, load a voice preset, type some lyrics (or even load some preset lyrics), and give it some MIDI notes. Inputting an entire song doesn't take very long, either. My first attempt at punching some sheet music into piano roll and typing in lyrics sounded recognizable, but very robotic, and the timing of some of the syllables wasn't quite right. So, you have to learn some tricks, which users of other vocal synthesizers will probably also recognize – moving notes for syllables which start with certain consonants forward a bit, so the first vowel of the syllable sounds on the beat, leaving short rests between notes to give the previous syllable some time to decay, and replacing lyrics with phonetic information to get the transitions between words to sound natural. This seems to be true of both English and Japanese – I got a Japanese-speaker to test this for about an hour, and she mentioned that to get things pronounced correctly she'd replace some of the written syllables with different ones. You can get really deep into this, and it's a skill set of its own, but at least maximizing intelligibility doesn't seem to involve constant manipulation of parameters like syllable attack time or phoneme speed to get them just right for every individual syllable. Playing notes with a MIDI keyboard seems to work slightly better than punching them into piano roll, but the notes still need tweaking afterwards.

So, trying to sound as human as possible takes a significant amount of work and skill. Even if you're trying to sound robotic, tweaks of timing will make things sound considerably more musical and intelligible. Another challenge is keeping the lyrics in sync with the music when skipping to a different part of the track. You have to make sure that the lyrics are going to be in the correct place, as they are not permanently linked to the notes. This is probably the most awkward aspect of the plugin. Sure, you get used to keeping things in sync, but not having to do it would be nice. You can't expect a vocal synthesizer to be as convenient to use as a virtual analog synth or drum machine, though.

Uses

Conclusion

Alter/Ego is a very deep, powerful and capable tool, and not just by the standards of free products. There's a learning curve involved in getting the best out of it, but just getting it to sing some words is very easy. If you are interested in vocal synthesis or just weird sounds, there's no reason to not grab it now. Even if you're not into that stuff, this is a very fun plugin to play with. Any human singers you work with might even get jealous.

More info:Alter/Ego(official website)

Autotune has become ubiquitous across many modern genres of music – it's certainly not confined to just pop music anymore. Popularised by Daft Punk, The Black Eyed Peas, Chris Brown, Rihanna and even Cher, autotune has become a vital component of modern record production.

Autotune is both a corrective and creative tool. While many vocalists would prefer for their voice to be autotuned naturally, we're all familiar with the over-the-top autotune tone of many pop vocalists. Whatever your opinion is of autotune, it's come along way over the last 10 or so years and is here to stay. Also, the fact is, autotune has so many practical uses that apply not just to vocals but other acoustic sources, too.

If you want to experiment with autotune and implement it as in your music software arsenal, then there are several excellent free autotune plugins available for you to download today.

Many are feature-rich and will offer great scope and functionality for trying out autotuning on vocals and other instruments. Adobe reader 9 4 download. We think you'll be surprised.

Before moving onto the list, let's briefly cover how an autotune works and what sort of results you can expect.

The Modern Era of Autotune

Autotune is a valuable component of any producer or mix engineer's VSTs and plugins. The days are gone where artists were scrutinised for their use of autotune and artists such as T-Pain have shaken the view that autotuned artists aren't skilled vocalists.

Obviously, particular styles of creative autotune aren't everyone's cup of tea but autotune has uses outside of vocal pitch correction – they can also be used on synth patches, acoustic instruments, drums and almost any other sound with varying degrees of effectiveness. Many engineers might use autotune to alter the pitch of a few bum-notes that stick out in a guitar solo, for example.

It's worth experimenting with autotune on both vocals and acoustic instruments as it can allow you to tighten the tonality of your performances.

What Makes an Autotune?

Most autotunes are designed for the voice's frequency range but they'll work on other acoustic sources like guitars with varying results.

Most autotunes are simply designed for minor pitch correction. They usually feature transparent audio engines which attempt to effect the voice in the least way possible for more natural results.

Contrastingly, some autotunes produce very overt and obvious changes that can help you create digitised vocals or pitch-shifting FX on other acoustic or electronic sources. For example, you could take a monotonal vocal and pitch it around for all manner of dramatic autotuned effects.

This autotune style is more commonly used in trap, hip-hop, rap and other electronic genres.

How and When to Use an Autotune Plugin

It's rare that you'd use an autotune harshly on a whole track and instead, you'd most likely use it to address small problematic areas of a recorded waveform. Depending on your vocal, though, you could set-and-forget an autotune to tighten up elements of a whole vocal part. Experimentation is the key here.

Sometimes, you'll be able to draw in the notes you want to correct to on a piano roll and pitch a sound around with formant control, other assorted fx and MIDI input control.

The problem is, autotune plugins have never really had a reputation for being cheap. Plugins like Melodyne can set you back hundreds of dollars. Whilst their high price is testament to how powerful they are, you can achieve professional results with free VST autotune plugins.

Here, we have 7 of the best free VST plugins available to download today.

1. MAuto Pitch

MeldaProduction has an illustrious history with the support of artists like Deadmau5. They've built a completely free and well-featured autotune plug-in and it really is a powerful bit of free kit.

The plug-in concentrates on the basics featuring depth, speed and detune controls. Still, it's more fully featured than most autotunes on this list and with a modern interface, it's definitely one of those plugins that makes you think 'wow, it's cool that I didn't have to pay for this!'

MAuto Pitch has all of an autotune's traditional controls. Depth essentially controls the depth of the effect – so the level of how much effect the plug-in has on the entire sound. Detune can be used to nudge the pitch up and down for fine tuning.

The speed knob is particularly important and this controls the speed of the autotune effect. Often, singer can hit the note but can't sustain it. In this situation, it's best to choose a slower speed so the autotune effect pulls in when the singer's note begins to wander off.

For a more overt T-Pain-esque style tone, a quick speed setting is necessary so the autotune is immediately noticeable.

This awesome plugin also contains a lot of extra features like the width setting which can widen and stereoize your vocal. Finally, the formant setting can alter the pitch of your vocal in a way which makes it sound more masculine and deep or higher and feminine.

This autotune is equipped with a visual detector which provides a graphical interpretation of incoming notes. It's all pretty sophisticated but it's certainly not difficult to use!

2. GSnap

You only have to glance at this autotune to tell that it features a bit of an old-school interface by today's standards.

Still, at the time it was a real groundbreaker and holds its own against all of the most expensive big boys and newer kids on the block.

This plugin's MIDI functionality is superb. This means you can use a MIDI keyboard to play in the notes which you need to hit with the vocal part. You can then use this MIDI information to tune the vocal part.

GSnap's interface is easy to use and the left-hand graphic will display your note's pitch in red and the corrected version in green. This enables you to fine tune the corrected notes based on the information displayed.

Effects additional to your usual autotune effects include vibrato which is speed adjustable. This will add a fluttering effect to your vocal part. Other functions include a gate setting which can be used to control if the plugin effects just quiet or loud parts of a vocal part. For example, you could only autotune a loud chorus and choose to leave a quieter, more intimate verse unaffected.

Overall, GSnap is a finely crafted autotune tool which is capable of transparent results. Extra features like vibrato can really liven up a flat vocal sound.

3. Graillon 2

This recently released autotune looks a little different to most on this list. It has a greater number of quirky settings and fx and a rather futuristic-come-retro design.

Below its rather funky surface, this is a powerful autotune device. The correction module is the main component and by inserting this in an audio track and switching this on, you can get pretty good results for slightly out-of-tune tracks almost immediately. Inertia works as a speed control, controlling how quickly the autotune acts on a signal. The smooth control can help slow or quicken the transition between one note to another.

Some of the Graillon 2's funky settings include the bitcrusher which can distort a voice with digital distortion that varies from subtle to outrageous. It's pretty cool that Auburn decided to throw this into a free autotune plugin.

You can create some fascinating results with this free autotune that range from wispy digitised tones to full-on bitcrushed robotic voices. You can pitch shift to different pitches and octaves and alter the formant controls to change the tone of a vocal or instrument track.

Overall, this plugin really rocks! It has a sleek and modern interface and extra settings that might surprise you for a free plugin.

4. KeroVee

Japan audio company g200kg developed this autotune back in 2010. Today, it holds its own as a highly effective and fully functional free autotune VST.

This plugin has no flashy fx and its interface is more functional than attractive. Beneath its industrial-looking skin lies an ultra-intelligent autotune that can is capable of ultra-precise tunng.

The interface displays graphical info about a sound, including what it started as and what its autotuned version looks like. Adobe acrobat reader for win 10. You can select the relative note which you want the plugin to tune to and with the calib setting you can adjust the overall pitch of your recording.

With many fine tuning controls including formant control, the KeroVee offers an array of more in-depth options than most other free autotunes. It has a unique nuance setting which can allow you to leave natural variations in a singers' voice like vibrato.

This plugin doesn't have flashy FX banks or many advanced controls but what it lacks in functionality it makes up for in precision. It's clear that most of the programming work has gone into making a transparent-sounding autotune that can naturally tighten a vocal.

5. X42 Autotune

This plugin sports a rather inauspicious early-2000s looking interface but it's very capable of fixing slightly out of tune vocals without much hassle.

It works via resampling and therefore, it's not possible to transpose audio and harshly affect its pitch. This also means that you can't alter a sound's formants. Still, this plugin is designed for easily fixing a vocal part and that's ultimately what it excels at.

Unique to this plugin is its bias and offset features which both give you the ability to retain some natural characteristics in your recorded voice. Bias keeps a note natural if the singer deliberately alters the pitch of its sustain and offset adjusts how far a vocalist can stray from inputted notes before the plugin kicks in.

With its MIDI input, you can assign the notes you want to correct your vocal to with your keyboard.

This plugin is one of the most dated in the list but with MIDI and audio sidechain inputs and a host of extra features, it definitely brings some of the best functionality to the autotunes in this list.

6. Autotalent

Autotalent's interface will put many off from the get-go but it was originally manufactured by the wonderfully talented engineer Tom Baran before being reprogrammed for VST/AU by Oli Larkin – this honestly is one of the best autotune VSTs in the world.

Scraping below the surface of this industrious-looking plugin reveals its wealth of features. You can use it for anything ranging from light tuning and correction to full-blown robotic mashes and chiptune-style effects.

When setting this plugin up, you want to exclude notes in the scale with a '-1' and leave notes that you want to correct to with a '0'. Once you've found your way round its basic effects, it's easy to start experimenting with its advanced settings and FX.

The LFO section of this plugin can generate some incredible sounding effects and combined with its vibrato control, you can really add life to a vocal performance or acoustic instrument.

Further than that, you can use its LFO feature to generate bit-mashed or chiptune effects.

With lots of extra controls including formant controls, this plugin offers a really high-level of corrective and creative effects. If you can get below its rather crude surface, it can serve you for almost any auto-tuning and pitch shifting purpose.

7. AAS Autotune

This autotune has no GUI! That means it has no interface at all. Yep, you're right in thinking that you just set this on a track and leave it – it's invisible.

Manufactured a while ago by Arguru, this autotune pushes sounds pretty hard to get that T-Pain or Chris Brown style autotune.

Since you just set it and forget it, this plugin is very simple to use and sometimes it's just right. It's always worth trying out if you want a digitised hip-hop, trap or other EDM-driven vocal sound.

It's extremely lightweight, easy to use (obviously) and it provides results – what more can you ask for?

Conclusion

So there we have 7 of today's best free autotune plugins – if you were thinking you probably needed to fork out $$$ for an expensive autotune plugin then hopefully you're relieved!

Autotune is here to stay and we all know it! Of course, not every genre needs autotuned vocals but it's generally agreed amongst even veteran engineers that most vocal parts benefit from just a bit of autotune tightening.

Autotune can be used creatively as well as correctively. Autotune can help you fatten up a vocal sound, improving its impact, sustain and vibrato. Because of the power autotune can bring to a vocal, we're used to hearing strongly autotuned vocals in many tracks across genres of EDM, hip-hop and pop music but though many engineers wouldn't like to admit it, it's used lightly in jazz, blues and even classical music.

Autotune has become an important component of the mixing process and therefore, you may as well embrace the change and equip your DAW with some of these awesome free autotune plugins!

Best Vocal Vst Plugins

Free Vocal Vst Ableton